BRAVEHEART SCRIPT SIGNED MEL GIBSON SOPHIE
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BRAVEHEART SCRIPT SIGNED MEL GIBSON +SOPHIE MARCEAU RPT

BRAVEHEART SCRIPT SIGNED MEL GIBSON +SOPHIE MARCEAU RPT
Start Price USD 16.95
Current Price USD 16.95
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Start Time Thursday, December 04, 2008
End Time Friday, December 05, 2008
Location Dallas, TX

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Description
BRAVEHEART This is a COLOR COPY of the ENTIRE script. These autographs are of the following cast members: MEL GIBSON....as "William Wallace"SOPHIE MARCEAU....as "Princess Isabelle"********************************************************************************* Movie Year: 1995 Writer: Randall WallaceDirector: Mel Gibson Draft: Final Draft Pages: 114 pages Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce's struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects. The crown jewel of 1995's summer blockbusters appears to have arrived early. It's hard to imagine any motion picture released between now and August matching Mel Gibson's Braveheart for spectacle. With its clashing armies, heartstopping action, and grand sense of romance, this is the sort of film it's a pleasure to see and review. Let me state my preferences up front. I'm a big fan of the epic adventure, a category in which Braveheart, like cream, rises to the top. There's a lot in this film that's praiseworthy -- not the least of which is its ambition. Those viewing this picture may be easily reminded of Gettysburg, The Last of the Mohicans, Glory, and such classics as Lawrence of Arabia, El Cid, and Spartacus. The grandeur is certainly present; nevertheless, Gibson gives us not only memorable battles, but characters of real substance. Borrowing from masters like Sam Peckinpah and David Lean, the actor/director has crafted an exceptional cinematic tapestry in only his sophomore effort. Most of the time, three hour movies have a few flat spots, but Braveheart is constantly on the move -- riveting from start to finish. When the end credits began to roll, I was hard pressed to accept that nearly 170 minutes had elapsed. The title character is William Wallace (Gibson), a hero of Scottish history whose legend has surely outstripped fact (in its own unique way, the film acknowledges this). Wallace fought for Scotland's freedom in the late 13th century, wielding his broadsword and influence to defeat the forces of King Edward I (Patrick McGoohan), the British monarch who had declared himself king of Scotland upon the former ruler's demise. Braveheart builds slowly to its first gritty climax. Much of the early film concentrates on Wallace's love for Murron (Catherine McCormack). Their courtship is unhurried, yet this is all preparation. The real meat of the story, which includes political mechanations, betrayal, and dramatic battles, is yet to come. Patrick Henry once said, "Give me liberty, or give me death!" That might well be Wallace's motto. "It's all for nothing if you don't have freedom!" The nobles of Scotland fight for land and riches, but Wallace stands for the individual, and earns respect with words and deeds. Bulked up and wearing a long-haired wig, Gibson brings his usual wealth of charisma to the title role. Patrick McGoohan, best known from TV's Secret Agent Man and The Prisoner, is almost unrecognizable beneath a snowy beard. His Edward the Longshanks exudes an aura of cold menace. He's a worthy foe for Wallace because his intelligence matches his ruthlessness. Sophie Marceau, the French actress who plays Princess Isabelle, and Catherine McCormack are both immensely appealing. Braveheart is a brutal, bloody motion picture, but the violence is not gratuitous. The maimings, decapitations, and other assorted gruesome details make Wallace's world seem real and immediate. In addition, few theatrical moments make a more eloquent statement against war than when Gibson shows women and children weeping over the dead on a body-littered battlefield. War is a two-headed beast, and both faces -- the glorious and the tragic -- are depicted. Lately, certain films have come in pairs: two Robin Hoods, two Columbuses, two Earps, and now two Highlander epics. Rob Roy, the first, is a fine motion picture. Braveheart, however, is better, offering an exhilarating, and occasionally touching, experience that has viewers leaving the theater caught up in an afterglow of wonder. These days, heros like William Wallace are as rare as motion picture displays of this high, uncompromising quality. These scripts are in their original standard screenplay format as typed by the writer or the studio-- none of the scripts that we offer is ever incorrectly formatted on the page. Signatures are preprints taken from our inventory of original signatures. All scripts are industry standard and preprinted on 8.5x11" paper, 3-hole punch, and bound by three brass brads. All scripts offered are of various drafts (from early to later shooting drafts-please check the draft information above). Scripts vary from slightly different-to-major differences from the final movie. These changes are normal and certain movies may have dozens of different drafts and several writers. Also, some scripts may be slightly light in type or have darker inserted pages (produced from color shooting pages). It is not unusual to have some missing pages from the older scripts. We are careful to note the draft, writer differences from the final credited movie, missing pages, and original typed quality. We do not list any scene, name, or character changes, or any editing differences of the script vs. the final movie. We offer 100% money back guarantee. If you are thinking of leaving negative feedback, just email us before with your problem and we will refund 100% of your money back...without question!! We Prefer PayPal. Money orders and checks are accepted as well. We will email you within 24 hours of auction end with payment details, if you have not received our email in this time please contact us. Payments must be made in full within 5 days of auction end. $ 7.50 within the United States via U.S Priority Mail (3-4 days) $15.00 for International via Global Priority Mail (7-10 days) We ship worldwide. Items are shipped within 24 hours of receiving payment. All items are shipped very well to prevent any bending or damage. All items are sealed in a plastic shipping cover to keep dry. Great for a gift or a collection!!

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